Lately I’ve really been enjoying doing intimate crops of the wild horses. I especially find myself trying to make the eye the primary focus of the photo. Of course, in this case,” close-up” may be a good term for the image but it certainly isn’t accurate about how the photo was made. By using a “super-telephoto” lens it’s possible to make intimate portraits of these beautiful animals without getting too close to the horse.
I’ve also found my love for black & white imagery reinvigorated recently. Years before the digital photography age I had a love affair with black & white film. Grain, the noise of the film days, was considered a nice artistic addition to a good mono-tone photo. One of the nice things about digital photography is that every image can be both a black & white photo and a color shot. It’s all done in post processing. If you look at a number of different photographer’s work in black & white of similar subjects you’ll notice there will be differences. Some subtle. Some extreme. It’s simply a matter of the photographers expressing their artistic tastes. Here are my most recent takes on black & white equine fine art photography.
I think you are on to something. Not all mustangs are flashy, using B&W evens the playing field and pulls attention to the patterns and textures. Keep working on it, some show great promise. Cropping is very difficult, a true talent that you seem to possess.